Along with meeting the requirements of a stable virtual environment that allows you to cue, render, connect, and track moving set pieces or performers, L8 also gives users something invaluable: the ability to test new equipment, new technologies, and new fixtures in their designs without having to fork out thousands of dollars in rentals, both on the equipment side and on the venue side to see if certain fixtures may be the right choice for a particular event. L8 has created a virtual world that gives its users the ability to place themselves directly inside a world with physics mirroring reality. Or who can accurately portray a dimmed beam, or a beam utilizing a multi-color gobo? How do we show the actual motor speeds of a glass color wheel inside of a fixture moving on a piece of scenery that is also moving? How do we recreate the actual look and feel of lighting, scenery, textures, video, atmospherics, and other variables, as photo-realistic as possible, all while not overwhelming the average currently available technology that 80 percent of the industry can afford? These are the challenges that L8 worked to achieve and separates it from the others. L8 recreates the venue in virtual reality, in as much detail as is technologically possible, all while mirroring the physics of the real world as closely as possible, all the way down to the way that the atmospherics behave when the HVAC is running and the audience has changed the level of humidity in the air.Ī myriad of details are needed to be taken into account for the world of previsualization that most other programs doesn’t consider- such as how lasers behave in the air, for example.
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These are all reasons that make previsualization software a common necessity in the design of shows these days.
That extra cost has decreased the available time that designers get to spend in the venue or in tour rehearsals, and alongside that increase and cost and decrease in time, the pressure on design teams has increased.
Beyond the obvious designer and programmer time needed are the not-so-obvious evolutions of venue costs the time associated with spending days or weeks in a venue sharpening cues, timings, and tuning looks, all of which cost exponentially more. Our industry has changed over the years in many ways that complicate the way lighting design and pre-production occur. “We have a very highly motivated team of seven premier professionals, located in a great place atop the Scientific Center of Kiev, near the Kiev Polytechnic Institute.” “We started L8 LLC with a strong vision of what we should do, how we should create, and how we should support our product and our users,” says Dmitriy Giventar, the creator of the original LightConverse, who now jointly owns the company with the other developers. A new company, L8 LLC (L8.ltd), was created to rebrand LightConverse and drive the product forward to create a new path forward for its user base, working to further develop, distribute and create new avenues and evolutions for the product.
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In July 2018, the software development team behind their LightConverse 3D Show Platform became full owners of the software products they had been developing, forming a new company and moving to a new office in Kiev, Ukraine in the process. Along with the testimony to the product’s worldwide popularity and success through sheer longevity - the latest release is Version 59 - industry honors includes ESTA and Live Design awards as well as the privilege of being an Intel Software Premier Elite Partner since 2012. There are several companies that offer previz software, but one product, LightConverse 3D Show Platform, has been at the forefront. From left, Vitaliy “Aklativ” Kravchenko, Vita Fedorovska, Alex “Dart” Bereznyak, Nazgul Shukayeva, Dmitriy “DeeMAGE” Giventar, Anastasiya Tkacheva and Konstantin “Tamtyt” Khanin.